Taylor’s favor in 1988 and awarded him more than $3 million, he was able to revive the label for a time. He also got into a protracted legal dispute with Warner Bros. Taylor said he made some ill-advised decisions on distribution matters - and filed for bankruptcy in 1978. The CTI label, though successful early, ran into financial trouble - Mr.
She survives him, along with three sons from his first marriage, Creed Bane Taylor VI, Blakelock Harrison Taylor and John Wendes Taylor a daughter from his second marriage, Courtney Taylor Prince and five grandchildren. Taylor’s first marriage, to Marian Wendes in 1956, ended in divorce in 1984. He used top studios - Rudy Van Gelder’s most often - arrangers like Don Sebesky, and placed museum-quality photography on the album covers. Kahn, the music historian, said, “recruiting A-list jazz players and being open to familiar pop melodies - like bossa nova, soul and R&B tunes, even the Beatles. “The through line to the labels Creed worked for or started - including Impulse, Verve and CTI - was an auteur-like, 360-degree approach to creating high-quality recorded product,” Mr. “A real jazz festival has finally come to Atlanta,” The Atlanta Voice wrote in 1973 when the CTI tour played that city with a lineup that included the vibraphonist Milt Jackson, the guitarist Eric Gale and the singer Esther Phillips. Benson’s guitar interpretations of songs from that Beatles album.Īt CTI in the early 1970s, he also packaged artists together in star-studded stage shows. One of his George Benson albums, for instance, was “The Other Side of Abbey Road” (1970), featuring Mr. There and at his later stops, he encouraged his artists to try new things, and not to shy away from other genres. Eisenhower) but concentrated on jazz, making records with the trumpeter Kenny Dorham, the singer Bobby Scott and countless others before forming Impulse! as a subsidiary label. Taylor moved to ABC-Paramount, where he produced all sorts of albums (one was a collection of speeches and other highlights from the career of Dwight D. Mann recorded some of his first albums for Bethlehem. It was Herbie Mann, then still largely unknown Mr. He followed the sound and knocked on the musician’s door. He told JazzWax that in late 1954 he moved to an apartment in Greenwich Village and became intrigued by a flute player he could hear practicing as he sat in his backyard garden.
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“I was fascinated by the record business,” he told JazzWax, “from how to put a record’s cover and liner notes together to getting the records into stores and selling them.”Īnd sometimes, it meant discovering the artist. It was an era when producers did everything for a record, from lining up musicians to trying to get radio stations to play it. In 1954 he landed a job at Bethlehem Records, where he produced albums for the vocalist Chris Connor and others. “Drum solos, and the crowd, and all the excitement - what happens to the music in all that? ‘Jazz at the Philharmonic’ was, for me, a circus.” “The long bass solos, the tenor solos, you name it,” he said on the podcast.
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He was inspired, in a manner of speaking, to go into producing by “Jazz at the Philharmonic,” the long-running series of concerts and recordings organized by Norman Granz, whom he would later succeed at Verve: He didn’t like it. Sidran’s podcast, had whetted his appetite. An earlier one-week visit to the city, he said on Mr. After finishing his service with the Marines, he completed his psychology degree in 1954 but quickly made his way to New York to pursue his real interest, music. He enrolled at Duke University, where he studied psychology until the Korean War interrupted his schooling. He was surrounded by bluegrass and country music, he said in a 2008 interview with JazzWax, but much preferred jazz. He played trumpet in high school, inspired by Harry James. Taylor grew up in Bedford, Va., and in a bucolic area known as White Gate, west of Roanoke, where his family had owned land for generations. His father was, as Donna Taylor described him, a “gentleman farmer,” and his mother, Nina (Harrison) Taylor, was a personnel director. “He was a genius when it came to finding new and special music that would stay with listeners forever,” the company’s post said.Ĭreed Bane Taylor V was born on May 13, 1929, in Lynchburg, Va.
Impulse!, still a force in jazz, memorialized Mr.
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